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March 6, 2006
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Left Leaving

by ~JosephExplosive

Persuasive infinity pummels at my willpower.
Spokes of energy flail from straying focus,
Coercing to gouge towards the drifting intoxicated leaves
Feeling the horizon and its friends.

Crisp underfoot.
Gravity taints spatial limitlessness.
Gristle becomes marrow, bone becomes flesh.
I wince as it occurs to me that leaf will never be whole again.

Particles of organic debris trail my shadow.
The debris leaves sharp streaks of emasculation.
Strong and deep -
Yet evidence of destruction is prevalent as the pinnacles deride my silhouette.

The sun downcast in its gaze.
Solar energy weakening focus.
It is but in the past.
:iconjosephexplosive:
My experience and subsequent realisation that the past does not matter - it is the future that counts (It took me awhile for that to sink in :O )

Even if what happened in the past affects future or present events, we must deal with it and move on...

I sense many a cliche...

comments please. + or - (negatives equal positives in my opinion)
:iconreflection13:
~reflection13 Mar 6, 2006  Hobbyist General Artist
you use a strongly descriptive diction which brings very vivid imagery but you almost cram it too full to the point that it takes away from the flow and impedes the weaving of the spell that poetry can cast over the reader.

Nice concept though, :)

--
~Clare~

"There is no sanctuary for the damned, no salvation for the wicked, only sweet insanity, a small break from reality. A minor taste of what could be, if we unchained our minds, and set them free"
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:icondiamondie:
~diamondie Mar 6, 2006  Professional Writer
You're using descriptive imagery, which is a good thing, but most of it is very abstract. The first line, for example, is entirely based on abstract concepts and abstract vocabulary. Using concrete, concise imagery usually works much better. It would really strengthen the piece.

The structure appears somewhat problematic to me. I can't really find a flow in the piece, it almost seems like every line is a separate unit (especially in the second and last stanzas). It feels weird that some parts of the poem are narrated using complete sentences and some are written in a much more minimalistic style, the ending in particular. I believe that the last line is really weak, probably the weakest line in the whole poem. You should try to find a more concrete image for the ending.

--
What do death, Chinese checkers and :butterfly: collections have to do with each other? Find out!

My CFS/ME/FM treatment book
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:iconjosephexplosive:
Thanks for your comment. I appreciate it. Some of the reason for it being so abstract is because I am highly influenced by music and art that has no fixed structure (think The Mars Volta, Tool, Daniel Libeskind to name a few) . Relationships must be worked out, and links or ideas that grow on you and/or are discovered/understood over time.
It really pleases me that you find the structure problematic. It encourages me to delve even further into structural and literal obliqueness.

However it has been 9 years since I wrote any poetry.

A lot of my work is spontaneous and I don't actually think of the meanings of what I'm writing so much - I guess this means that I try to make the reader make sense of it with a simple closing thought (see my other pieces).

I will work on the last line - thanks :)

My work is written with attention to the idea of it being used lyrically and musically. There will possibly be some confusion.
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